Tag Archives: ADR Forte

New Book: Like a Spell: Air: Heterosexual Fantasy Erotica

$2.99 ebook
ISBN: 978-1-61390-165-6
127 Pages

Formats: :

For the Like a Spell anthology, we asked writers to challenge the traditional tropes and send us something new—original stories of magic users, interesting twists on the typical sorcerers and mages. The response was overwhelming and exciting, and we decided to publish four separate anthologies, using the theme of classical elements (earth, air, fire, and water) as the focus for each collection.

For the air anthology, we’ve focused on stories portraying the love between men and women. Both Plato and Aristotle thought of air as being both wet and hot, and this seems an apt description of the union between men and women. Air can be gentle or rough, hot or cold; it can draw you closer or push you away. It can caress, but it can also punish.

September Sui’s “Carnival” is like no carnival you’ve ever experienced. It teems with secrets and mysteries, and when a simple farm girl is finally old enough to attend, she isn’t frightened, like her friends, but is instead intrigued and desperately curious. The carnival master in particular interests her, and she is determined to learn his secrets… in the privacy of his tent after the main show.

In “The Alchemist,” A.D.R. Forte tells the tale of an alchemist whose work relies on both his skill and his discretion. His business is simple: women come to him in secrecy, and in exchange for the essence of their sexual passions, he pays them in money and pleasure without ever touching them. But his latest customer is more mysterious than most, and he’s sorely tempted to push past his professional boundaries.

In Dee Maselle’s “Rapture,” Melyse finds herself taken by Ivon the Fiend, despite being neither a damsel nor in any particular distress. In fact, although she knows she should be terrified, the thought of being ravished by the Fiend only makes her more excited, and it is with a small thrill of anticipation that she lets him carry her off to his castle.

In “Refrain,” V.A. Cates introduces us to Marlene, a witch who specializes in brewing potions. When Jack comes to her looking for a love potion—but with no particular love interest in mind just yet—Marlene feels strangely drawn to him. She knows she shouldn’t get involved with him, for his own sake, but one thing leads to another, and her single-minded desires overpower any concern she once had for the innocent, mortal man.

In “Curandero,” Donovan Blake introduces us to Sani, a Navajo curandero, which is a kind of spiritual healer. Most of his patients are just depressed, or have regular medical problems, but Sani is intrigued when a man comes to him with a real, bona fide hex on him. Unfortunately, in curing the man, the hex gets transferred to Sani… and he finds himself forced to track down the witch/succubus/vampire/whatever-she-is to kill her and end this hex once and for all. What he discovers when he finds her in person isn’t quite what he expected, though.

Morrigan Cox plays with the idea of food magic in “Heat in the Kitchen.” Justus and his brother have been sent by their coven to seek out a rogue witch in town, but when Justus sees her food truck—the Kitchen Witch—and gets to know her, he realizes she might be using her magic for good. And the enchantment he feels when he looks at her doesn’t seem to be magical in origin.

Mary Andrews takes food magic a step further in “Potions and Pastries.” Our narrator is a witch who uses her potions mastery to make delicious pastries. While closing up shop one day, her assistant, Leland, asks her to taste-test a new chocolate cake recipe he’s concocted. It’s an aphrodisiac recipe, though, and all the yearning she’s kept buried refuses to stay hidden any longer.

Finally, in “Entwined,” Kassandra Lea introduces us to Canis Cavender, a wizard who has grown tired of peaceful forest solitude and has moved to the city to be part of society again. When Anwyn shows up to bring him the jar of fairy dew he asked for, dripping wet from getting caught in the rain, Canis insists she stop dripping on his floor—but he’s unprepared for her to emerge from the bathroom dressed in nothing but one of his button-down shirts.

Like A Spell: Air
Eight scorching stories of magic users, sorcerers and mages. For the Like a Spell anthology, we asked writers to challenge the traditional tropes and send us something new—original stories of magic users, interesting twists on the typical sorcerers and mages. Stories included by September Sui, A.D.R. Forte, Dee Maselle, V.A. Cates, Donovan Blake, Morrigan Cox, Mary Andrews, and Kassandra Lea.


Like An Animal edited by Cecilia Tan & Bethany Zaiatz

like-an-animal-iconsizeebook $5.99
ISBN 9781885865793
35,535 words

Formats :

Seven stories of werewolf erotica. We all struggle with the lustful animal that lurks beneath the skin. What more apt lens to explore the erotic possibilities, but the mythic creature of the werewolf? These stories run the gamut from playful to intense, exploring pack dynamics, magic, and the natural world. [Warning: Explicit sexual content.] Includes: Lunacy by Elizabeth Reeve, The Moon Is My Mistress by Vicka Corey, Carolina Jasmine by David Hubbard, Carnival of the Grotesque by A.D.R. Forte, Dark Divine Light by Becca Ovadia, Lupin House by A.N. Cortez, and American Werewolf In Budapest by Joe Nobel.


Continue reading Like An Animal edited by Cecilia Tan & Bethany Zaiatz

Like A Sword edited by Cecilia Tan

ebook $4.99
ISBN 9781885865762
38,155 words

Formats :

Sword & Sorcery stories that swirl with sensuality. These are tales of mages and magic, of warriors and princes and forest folk. But not all battles are won with armies, and magic finds its power not just in heart and soul but in body and desire. Four erotic short stories from some well-known erotica writers and some newcomers: Jason Rubis, Jean Roberta, Argus Marks, and ADR Forte.

Continue reading Like A Sword edited by Cecilia Tan

Like A Queen edited by Cecilia Tan & Rachel Kincaid

ebook $5.99
ISBN 9781885865830
29,740 words

Formats :

Five lesbian fairytales that feature classic stories like “Cinderella” and “The Princess and the Pea” with a queer twist. What are the erotic possibilities of the enchanted princesses and forbidding queens that we learned about as children? Discover the love story between Gretel and the Witch and the intoxicating tale of Cinderella’s seductively severe stepmother It wasn’t a pea in her mattress that kept the Princess up all night, and the story didn’t end when the Prince found Snow White in the woods. Instead of competing for princes or beauty, the women in these stories are made more powerful by their desire for each other.

Praise for Like a Queen:

“These stories are all deliciously twisted versions of familiar stories, some featuring compelling characters and some with clever plots that wind their convoluted way to a happy ending.” and “These stories vary considerably in style and tone, and each casts a different spell. Tales of strong women subverting predicted outcomes never grow stale. If woman/woman sex appeals to you at all, this collection is sure to enchant.”
—Jean Roberta, Kissed by Venus

Keep reading for an excerpt:

Includes the stories:
Mirror, by Clarice Clique,
The Queen’s Jewel, by ADR Forte,
Gretel’s Dilemma, by Kaysee Renee Robichaud,
After the Hunt, by Michael M. Jones,
The Stepmother’s Girl, by Quatre Grey

From the Introduction by Rachel Kincaid:

Fairytales (and their cousins fables, myths, and folk tales) have been told and retold since before the written word. Their details change from generation to generation, and culture to culture. Names and settings shift and mothers become stepmothers as the needs of the storyteller change. This tradition hasn’t ended with modern times: contemporary writers such as Neil Gaiman and Francesca Lia Block have wrought beautiful and haunting versions of old stories, and there are already a dozen published books of erotic fairytales – most of them straight, but not all of them. So why put together another one? What can one more set of reworked Cinderellas possibly contribute?

Fairytales were originally conceived as, essentially, indoctrination and training for young children. In every telling they reveal and reinforce the values of the culture that created them: little girls who don’t listen to their mothers will be cruelly devoured, and young women who are too eager to use forbidden spinning wheels (or lose their virginities, however you want to read it) will be punished. We tell the same stories now for the same reason, but we change them to impart the messages that we want others to know, and that we ourselves need to hear. The ancient tale of Cinderella offered hope that good-heartedness and hard work could secure a happy life where superficial beauty and trickery could not. The modern “Cinderella story,” seen in forms from the exciting new lesbian novel Ash by Malinda Lo to Jennifer Lopez movies, tells us that we deserve to be happy even if we are poor or overworked or uneducated or of color or gay.

With this in mind, the significance of the stories in Like A Queen becomes clear. These stories are fun and sexy and clever, but they are also important. The original Grimm’s fairytales were set without exception in a world of compulsory heterosexuality; even worse than being ostracized or punished, queer people didn’t even exist. These stories are our way of writing ourselves back into our cultural memory; of making sure that the values that we’re imbibing include us and our desire in a positive light – a practice that’s necessary no matter how many times it’s already been done. As you’re about to find out, the results have been amazing. Fairytales often feature women at odds with each other, competing for male attention, but they have now been transformed into spaces where women are powerful, where they grow stronger through their love for one another, where instead of being punished for their sexuality they revel in it with fabulously beautiful princesses and captivatingly severe stepmothers. Magic wands are useful for more than casting spells, and the Princess’s bruises didn’t come from a pea in the mattress after all. It turns out that there are things in the Witch’s gingerbread house even sweeter than candy, and it’s definitely not the prince that Cinderella goes to see at the ball. So put on your glass slippers, and don’t forget to leave a trail of breadcrumbs behind as you venture on to find out what happened once upon a time.

—Rachel Kincaid

Continue reading Like A Queen edited by Cecilia Tan & Rachel Kincaid

Like A Vorpal Blade edited by J Blackmore

ebook $4.99
ISBN 9781613900055
27,700 words

Format :

The ebook edition is also available at: Amazon, Barnes & Noble, Smashwords, Kobo & AllRomanceEbooks.

If we’re honest, we know that dreams aren’t always pleasant, or even simply strange. Sometimes our dreams take us places we don’t want to go, even if we know we need to. Like a Vorpal Blade is a journey in five parts to the darker places of fantasy. Theresa Sand, Bernie Mojzes, ADR Forte, Alex Picchetti, and Angela Caperton take us to places we’ve never been before, and will never forget. Do you dare to wander the world beyond the Glass when all safety is gone, and the ending is uncertain? Allow yourself to be drawn in by the eroticism of nightmares by exploring a side of Wonderland you’ve never known.

Table of Contents:
If This Be Not Love, It Is Madness by Theresa Sand
A Perfect Creature by Bernie Mojzes
Waking by ADR Forte
Midway Rides by Alex Picchetti
The Boiling Sea by Angela Caperton

Indulge in an excerpt:

Continue reading Like A Vorpal Blade edited by J Blackmore